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The plot of each film focuses primarily on Tom's frustrated attempts to catch Jerry, and chaos and destruction that they cause. Because they seem to get along in some watch anime onlineAppetite normal feline.
His duty as the owner (often the work of Tom, as house cat, is to catch mice).
The simple pleasure of tormenting him.
A misunderstanding (particularly in short where the two animals act amicably).
A conflict when the two want anything (usually food).
The need to take Jerry away.
A game that both enjoy.
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Tom rarely succeeds by watch anime online defeating Jerry, mainly because of the skill and cunning of Jerry, but sometimes it's due to Tom's own stupidity. Tom Jerry beats only when it becomes the instigator or some type of line crosses, the cunning of Jerry is generated to be almost always on the defense (much like Bugs Bunny). The shorts are famous for showing scenes of Jerry Tom cutting in half, Tom using different weapons such as axes, guns, rifles, explosives and poison, burning Jerry Tom's tail with a machine for making waffles, and many more.
Generally, neither Tom nor Jerry cartoons speak (except in a movie). There are a few exceptions, but their voices are limited only to voice crying out in pain (mostly from Tom), or swallow. Facial expressions and gestures convey all her feelings and intentions.
The music is an important part in the shorts, emphasizing the action and showing emotions in the scenes. The music director Scott Bradley created complex works that mixed jazz, classical and pop music.
After 1953, all Tom and Jerry shorts were produced in the standard Academy ratio and format, from 1953-1956 some of the works were produced in watch anime online Academy format and the widescreen CinemaScope process.From 1956 until the end of the MGM cartoon studio a year later, all the pictures of Tom and Jerry cartoons were produced in CinemaScope, some even had their soundtracks recorded in stereo. The films of the 1960s watch anime online created by Gene Deitch and Chuck Jones were produced in Academy format, but with compositions that made them compatible for the Academy widescreen format too. All Hanna and Barbera shorts were produced in Technicolor, the 1960s work was done in Metrocolor.